Four Poems

Michael Meyerhofer

At Sixteen

 

 

Come spring, if we wanted it, there was work

at any one of those farms scattered like lawn darts

beyond the blacktop, sprawling mansions

 

where wind and rain splayed off paint

and flannelled millionaires used hay balers—

as squat and sexless a machine as was ever invented—

 

to compress hay into eighty-pound cubes

they’d hire local boys to stack in their barn lofts

where, despite promises from Penthouse,

 

there were no buxom daughters waiting.

Just crickets and loose straw so thick

you’d see it every time you blew your nose

 

for a whole week afterwards. Still,

it meant a tax-free wad of cash at day’s end

and nothing to spend it on but pizza and beer. So

 

when Tony and Dustin needed a third pair

of hands, I volunteered even though

birth defects gave me the ankles of an old man,

 

a visible trait mercifully concealed

by a recent trend in baggy jeans. I’d already

begun my addiction to weightlifting,

 

I believed in my arms even if I’d stopped

believing in God, so I thought  I could

hold my own as those bales defied gravity,

 

wobbling up the conveyer belt, through a gaping

loft door into that broad, musty room

where we broke our backs all afternoon

 

and I swayed like a barrel on stilts.

Doo-rags tied to our beardless faces,

sweating until we wheezed, yelling at each

 

other to keep going, we imagined

we were Rocky Balboa training for revenge

against some foul, doped up Russian

 

or maybe just witnesses and those bales

sliding methodically up the ramp were Jews

like we’d seen in history class, marching

 

all blank and grainy to their deaths—which would

make us the Nazis, but we were sixteen

and not all that good at thinking out

 

our metaphors, let alone grasping the concept

of cultural sensitivity. So for hours

we built a grimy fortress  out of hay bales,

 

each one ribboned in twine. By the time

it was done, we had the farm boy’s

equivalent of a thousand yard stare

 

plus the cold certainty we’d been screwed.

Though probably the farmer told us

right away what he was willing to offer—

 

to hell with what his neighbors were paying

just a few miles down the road.

And we, just three wannabe-tough kids

 

who had never fought a day in their lives,

who saw words as a kind of flinching,

shrugged into our gloves and marched

 

toward that ladder, our muscles watered,

and tried not to scream when the machine

roared to life and all the animals fled.

 

 

Dear Submitter

 

If you’re anything like me,
you imagine your work being read
over wine or whiskey next to a window
smeared with autumn rain,
some grizzled but soft-hearted editor
tapping a pencil as the Jazz spins
slow alchemy on a vintage turntable.

So maybe it will disappoint you
to learn about the big bag of Cheetos
leaning against my drab sofa,
the empty bottles of domestic beer
piled in the trash. I’m not
even wearing a $1,000 bathrobe
or pausing sometimes to appreciate

a Van Gogh and scratch a one-
eyed sheepdog behind the ears
while ugly but wise children practice
their Latin, though I have to say,
the Tibetan singing bowl
I got at a flea market is admirably
performing its job of doing nothing.

 

 

From the Husband of a Dead Confessional Poet

 

Now, they read your psalms of suicide and dissect the details:
the intellectual impossibility of believing in the God

at whose breast you suckled. The drunk abusive father
stroking your absence like a calf until one day, you closed up

so that all above existed, at best, in frozen beauty. The oven,
the pills, the wrists in ruddy fog. They say your kind

cannot help but go tearing at the starry tabard between
heaven and hell, sewing them together, ripping them apart

so often it’s merciful in the end to shrug it off—to leap free
as though life were a stillborn, waiting to be recycled.

But I saw you on the porch in your sundress, unwashed
hair smelling faintly, almost sweetly, of yesterday’s oatmeal.

 

 

Ode to Four Old Men Eating Ice Cream at an All-Nite Diner

 

Four men in mussed overalls walk in,
laggard, smiling like they own the place.
The waitress laughs—back again?—
swinging her tray of drunk kids’ dishes
and meager tips. The old men nod
at my wife and take a seat behind us.

Outside these painted windows,
stars tongue the windshields of pickups,
ditches echoing the brass sadness
of crickets. Meanwhile in here,
these old men wave off menus in favor
of the usual: coffee and ice cream.

All week they have waited until
sundown to plow, letting that Iowa heat
blunt itself beyond the hills. Then
they meet here to swap fables and spoon
ice cream drizzled with hot fudge,
caramel, freshly thawed strawberries.

Men unexpectedly at that place
in life where they could tie cherries
without blushing. Each gets his turn
at small talk, diplomatic as the housewives
who may be waiting at home,
under headstones shaded by cedars.

But for now, they talk weed killer,
last Friday’s poker game, the brilliance
of their grandchildren—spoons
stirring, hands swaying like dancers
in some burlesque house, charming the air
with their fingernails’ soily tincture.

 

About the Writer

Michael Meyerhofer Split Lip Magazine